AQUARIUM.. July-August 2015

CLICK photo = LARGE format + slide show.. MORE IMAGES WILL FOLLOW..


Mariko Wada and Ole Vesterlund
Exhibition 1 July – 15 August 2015

See AQUARIUM – a window exhibition July 1-22.. Summer closed.

Opening reception – Meet the artists..
Thursday 23 July at 16-19.00

Extravagant ceramic pieces caught in between minimal and overly decorated.
An inquiring installation into the meeting of Danish-Japanese minimalism and expressive decoration.
Mariko Wada and Ole Vesterlund challenge each other and the viewer in the exhibition AQUARIUM - a universe where the visitors are taken into deep water with regard to form and expression - the foreign.

The exhibition AQUARIUM is displayed so that everything can be seen in the gallery windows, while closed for Summer July 1-22.
- From the 23 July the viewer is invited in to look closely and move around in this particular universe of highly decorated pieces by the Japanese/Danish Mariko Wada and Danish Ole Vesterlund.

Wada and Vesterlund: "..Our exhibition concept is concerned with presenting extravagant pieces caught in the crossroads between minimal and overly decorated.
The exhibition consists of singular pieces that play against each other in the exhibition space, where the placing of the pieces creates a particular universe.
Inspiration for the project includes the Indian form and colour theme, characterized by highly decorative and expressive colour combinations that despite many compound expressions finds its own beauty, balance and extreme refinement.
We were both educated in Denmark and have followed a minimalist form and design tradition.
The challenge for us is to explore the distinctive decorative design in contemporary ceramics and focus on 'decorative forming', which are not particularly known to the Danish audience.
The viewer will experience our take on 'decorative ceramic form' in a contemporary context.
We have used a variety of ceramic materials and techniques.”

- Welcome to AQUARIUM! -

Ole Vesterlund (b. 1971) - www.olevesterlund.dk
Educated at the Danish Design School 2008 - University of Copenhagen, History and Arabic 1994-96 - Exhibitions: Charlottenborg Spring Exhibition 2006 Råhuset - How queer everything is today and the Glasgow School of Art 2006 - Ceramics Museum Grimmerhus 2008 - Nordic Relations Award Residency Guldagergaard 2009 - Copenhagen Ceramics 'Orders' 2012 - Randers Art Association 'Ceramics of Diversity' Museum Jorn 2013 - Palais Ideal in 2014..

Mariko Wada (b. 1972) - www.marikowada.com
Educated Kolding School of Design Ceramics 2006 - Doshisha University Kyoto Japan Aesthetics and Art Theory BA 1995 - Danish Arts and Crafts Award bronze medal and 56th Premio Faenza, 2nd price International Competition of Contemporary Ceramic Art, Italy 2009 - Awarded by the Danish Arts Foundation, exhibition, Meditations on a Hobby Horse w_ Group VERSUS 2012 - Artist in residence: Shigaraki Ceramic Cultural Park in Japan 2011, Sundaymorning@ekwc in the Netherlands 2015 - Grants from the Danish Arts Foundation, Annie & Otto Johs. Detlefs Foundation..

AQUARIUM - by Mariko Wada and Ole Vesterlund
"There is a tradition in Japan to prefer simple minimalist design, and it has also been in Denmark, according to functionalism in modern times became the main flow in architecture and design.
The pure form was considered to be the ideal and significant wherein the decorative was somewhat redundant and should preferably be avoided. But this view may be changed in the contemporary aesthetic understanding.
Mariko Wada had in 2011 a study tour in Japan, and experienced here that younger Japanese potters were preoccupied with the decorated object in a new way that was very unlike classical Japanese traditions - as there was a new wave at the time where young people had decoration as a recurring theme in their art. They expressed their unique individuality through almost excessive decorations. They seemed to create pieces for the purpose of decorating them, rather than applying decoration to the pieces that they had created. These pieces give a strong impression that the artists through their intimate relation to the material confirms a fundamental relationship between individuals and objects, which explores new approaches.
In 2013, Ole Vesterlund and Mariko Wada independently of each other travelled through India. Their discovery of Indian handicrafts and architecture made an impression, whitch both potters are fascinated and preoccupied with.
Indian in relation to Danish-Japanese design and crafts tradition is very foreign and quite distinctive. The Indian form and colour theme is characterized by highly decorative and expressive colour combinations that despite many mixed and compound expressions, finds its own beauty, balance and extreme refinement.
The ceramic pieces by Ole Vesterlund and Mariko Wada originate from a minimalism of form and design tradition.
Ole Vesterlund has in his ceramic work revolved around pieces where form, colour and expression have a decorative synthesis in the theme, and where refinement in expression is set against coarse, balanced and voluminous shapes. Mariko Wada's ceramic work is about investigating the relationship between expression and sensation through forming, texture and spaciousness generated in different ceramic contexts.
Both ceramists find great challenges in exploring possibilities of expression in the decorative ceramic form of contemporary ceramics."

Ole Duedal Vesterlund
Born in 1971

2002-2008 Danmarks Designskole
2006 Glasgow School of Art
1994-1996 Københavns Universitet, Historie og Arabisk

2014 “Palais Ideal”, Museum Jorn, Silkeborg
2014 “Unik Keramik”, Køge Kunstforening, Køge
2014 “FormSprog TankeSpind”, Ann Linnemann studie galleri, København
2013 “Keramikkens Mangfoldighed”, Randers Kunstforening, Randers
2013 “1,2,3 Fire”, C4 PROJECTS, København
2012 ”Orders”, Copenhagen Ceramics, København
2011 ”Checking In”, Jantzens Hotel, Gudhjem
2011 ”Helt ude i Skoven”, Designer Zoo, København
2010 ”Clayspace Copenhagen”, Stedsspecifikt projekt, København
2010 ”Nordiske Realtioner”, Skælskør Bibliotek, Skælskør
2010 ”Award Nordic Relations”, Guldagergård
2009 ”Sketch”, Stilleben, København
2009 ”Pretty Pots”, Banko, København
2008 “Afgangsudstilling”, Grimmerhus, Middelfart
2008 “Afgangsudstilling”, Carlsberg; København
2006 “How queer everything is today”, Råhuset, København
2006 ”Forårsudstilling”, Charlottenborg, København

Modtog i 2009 “Nordic Relations Award”, legatophold på Guldagergaard, Internationalt keramisk Center.
Fondation Idella, Ingeniør Kaptajn Aage Nielsens Familiefond, Det Reiersenske Fond, Grosserer L.F. Foghts Fond, Knud Højgaards fond

2013 Århus Stiftidende + Randers Amtsavis, oktober 2013 Alt for Damerne, juni 2012 DR 2 ”Smagsdommerne”, april 2010 Børsen d. 12-10 2010 Magasinet Cover, september 2006 www.kopenhagen.dk, july + september

2011 Vestjyllands Højskole, “Keramik i en nutid praksis”
2011 Assistent. Skulptur i stor målestok, Bjørn Nørgaard, Guldagergård
2010 Assistent. Skulptur i stor målestok, Bente Skjøttgaard, Gråsten Landbrugsskole
INHABITANTS: Medlem af Inhabitants, en udstillingsgruppe bestående af seks keramikere der udstiller kontemporær keramik.

Mariko Wada
Born in 1972, Osaka, Japan - Danish resident since 1998

2006 Afgang, Designskolen Kolding, Afdeling for keramik
1995 Doshisha University, Kyoto, Japan. Æstetik og kunstteori. BA.

2013 Hemmeligheder. Galleri Pagter, Kolding
2011 Grænseland. Danmarks Keramikmuseum, Middelfart
Room with a view. Institute of Ceramic Studies, Shigaraki Cultural Park, Japan
2009 Terra-Morphologia. Grønbechs Gaard. Bornholm
2008 Terra-Morphologia. Officinet, København
Sensitive You. Embassy of Japan, København
Sensuality and Ceramics. Kaolin, Stockholm, Sverige

2009 European Prize for Applied Arts 2009. Mons, Belgien
9th International Biennal of Ceramics. Museu de Cerámica de Manises, Spanien
56th PREMIO FAENZA, International Competition of Contemporary Ceramic Art, Italien
Kunsthåndværkerprisen af 1879. Kunstindustrimuseet. København
2008 Taiwan Ceramics Biennale. Taipei County Yingge Ceramics Museum, Taiwan
2007 3rd Triennial of Trophy Cups. International ceramics exhibition, Kroatien
ICMEA Emerging Artists Competition. FuLe International Ceramic Art Museum, Kina
27th L’Alcora International Ceramic Competition. Ceramic Museum, Spanien
55th PREMIO FAENZA, International Competition of Contemporary Ceramic Art Italien
Kunstnernes Sommerudstilling. Tistrup

2014 VERSUS – HUN. Officinet, København / Spanien 19C, Århus
VERSUS – Meditations on a Hobby Horse Vol. 3. Galleri Format, Bergen
Formsprog, tankespind. Ann Linnemann studie galleri, København
Til ingen verdens nytte? Officinet, København
2013 VERSUS - Meditations on a Hobby Horse Vol.2 Nicolai Kunst og Design, Kolding
Tangibility. Officinet, København
2012 Ny Nordisk Keramik. Vendsyssel Kunstmuseum, Hjørring
VERSUS - Meditations on a Hobby Horse. 68 Square Meters Art Space, København
2011 Ceramics Now! Parcours ceramique Carougeois. Carouge, Schweiz
Transform. Filmby, Aarhus
2010 På Tværs. NyTap, Ny Carlsberg, København
VERSUS, Nature Morte - Keramik som billede. Munkeruphus, Dronningmølle
Dansk Centralbibliotek for Sydslesvig, Flensburg, Tyskland
2009 Body House. Maison et Objet, Paris, Frankrig
2008 Danish Crafts Collection 12. ICFF, New York, USA / Maison et Objet, Paris
Ler 08. SAK Kunstbygning, Svendborg
2007 Network Europe. Turf gallery, England/ Museum of International Ceramic Art DK
Danish Crafts Collection 11, ICFF, New York, USA/ Ambiente, Frankfurt, Tyskland

2012 Statens Kunstfond. Udstilling Meditations on a Hobby Horse med gruppen VERSUS.
2009 56th. Premio Faenza, 2. præmie. International Competition of Contemporary Ceramic Art, Italien
Kunsthåndværkerprisen af 1879, bronze medalje

2014,13,12,10 Statens Kunstfond, arbejdslegat – 2011, 08 rejselegat - 2010,09 Danish Crafts
Jens Ejnar & Johanne Larsens Fond til støtte af unge bildende kunstnere
2012,11,10,09,08 Århus Kommunes Kulturudviklingspulje – 2007,08 Kunstnerstipendium
2011, 09, 08, 06 Danmarks Nationalbanks Jubilæumsfond af 1968
2011 Knud Højgaards Fond
2009 Annie & Otto Johs. Detlefs' Almennyttige Fond
2004 The Scandinavia – Japan Sasakawa Foundation
2003 Esther and Jep Finks Mindefond for Arkitektur og Kunsthåndværk

2014 Versus, Hun. Katalog
2012 Versus, Meditations on a Hobby Horse. Katalog
2011 Grænseland. Katalog
New Ceramics nr. 1/11 The universal language of clay. Artikel
2010 Versus, Nature Morte - Keramik som billede. Katalog/artikel
2009 Kunstuff nr. 23 Lerets universale sprog. Artikel
2009 9th International Ceramics Biennial of Manises. Katalog
56th Premio Faenza. International Competition of Contemporary Ceramic Art. Katalog
2008 Ler 08. Katalog
2007 27th. L'Alcora International Ceramic Competition. Katalog
55th. Premio Faenza. International Competition of Contemporary Ceramic Art. Katalog
2006 Project Network 2006. Katalog

2014 Artist in residence. Sundaymorning@ekwc, Holland
2013 Skulptur/Installations workshop. Godsbanen, Aarhus
2012 Symposium. Scan Ceram, Hjørring
2011 Artist in residence. Shigaraki Ceramic Cultural Park, Shiga, Japan
2009 Symposium. International museum of ceramics in Faenza, Italien
2008 Workshop og studieseminar. Taipei County Yingge Ceramics Museum, Taiwan
2006 "Projekt Netværk" på International Ceramic Research Centre, Skælskør



CLICK photo = LARGE format + slide show.. Exhibition images..

Anne Fløche DK
Exhibition 7 may - 27 June 2015
Scattered phrases - 1100º Celsius - the World's geography and space.
Anne Fløche works with ways of relating to life and understanding of the world.
The pieces come out of her experiences, memories and the process itself.
She always works deeply personal and concentrates on a current basic idea, connects with the project and becomes one with the process of development.

ANNE FLØCHE "For this exhibition, I have worked with words and texts, phrasal-memories, fragmentary quotes from books, television, internet, newspapers..

- They are open statements that have been hanging in the air - simple, but enormously complex. - They are aesthetically beautiful words and sentences with significance, for example (translated from Danish): Continental Shelf/ Mariana Trench is the World's deepest point/ Space is full of time/ The sound of light sets ashore/ The Moon has power over the sea..

The language, in which I deliver things, is found in the material and process.
The considerations occur in a natural 'flow', that happens when everything goes well, and the choices of creation almost float by themselves - I 'switch off and take my head under my arm'."
The material is a subordinate instance that is familiarly based on years of experience, where the pieces almost happen by themselves, like when the hand knows its writing tool.
The subject revolves around geography, time and space.

Can the sentences be read without the materiality of the artworks or do the words, mood and physical form combine mysteriously into a linguistic universe - a new form of geographical sensuality?
Titles and words leap out in the study of the World as a spatial property, where the pieces reflect on the detached sentences and express an atmosphere, the words continue in their own ambiguity - and clarity.
The viewer is presented with an unusual view on World geography and space.
ELEVEN-HUNDRED DEGREES CELSIUS – Plates and stems fired at 1100ºC

Anne Fløche (b. 1952) was educated at the Jutland Art Academy DK 1973-78. She has exhibited several times in Denmark: Sophienholm, Design Museum Denmark, Trapholt Art Museum, Denmark's International Ceramic Museum.. and internationally at museums and galleries in Sweden, Germany, England, France, USA, China and SOFA/USA og COLLECT/London. In 2015 also at Hu Gallery, Nagoya, Japan.
PUBLIC COLLECTIONS Danish National Art Foundation, National Art Foundation Sweden, Design Museum Denmark, NY Carlsberg Foundation, Trapholt Art Museum, Denmark's International Ceramic Museum – Grimmerhus, Ulster Museum of Fine Arts, Sieg Collection – Pennsylvania, Scandinavian Embassy – Berlin..
AWARDS Ole Haslunds Arist Grant, Denmark's National Bank's Anniversary Fund, Danish National Art Foundation, Beckett-Foundation, Højgaard's Foundation..
RESIDENCY AWARDS Danish National Studios for Arts and Crafts- Gl.Dok Architecture Centre DK 2004,07, The Danish Institute in Damascus 2006, San Bao International Ceramics Centre - China 2009..

ANNE FLØCHE by David Whiting - Exhibition at Galerie Besson, London 2000
"Anne Fløche's work has a particular quality of movement. Her pots, mainly big dishes, bowls and bottles, are beautifully drawn, a freely expressive hand seen in bold and broad definition of form, depth and texture of glaze and an economic brush.
These crawling pigments and lyrically abstracted motifs (such as coastal wading birds, fish and blossom trees) enrich the poetic charge of these pots and reveal a sensitive, gently humorous eye for the shapes and characters of the natural world.
Her inspiration is markedly Eastern, but these objects relate as well to the ceramic history of Northern Europe, the Mediterranean, Turkey and Morocco. The result though is highly individual, a pottery of floating images - breezy evocations of time and place."

ANNE FLØCHE - Ann Linnemann Gallery Solo Exhibition 2009
See the exhibition -> LINK

Kunstavisen - Exhibition, Danish Ceramic Art Museum 2008
In her works, which appear almost exhausted matte, dusty colours of ochre, grey, Italian-red and delicate-blue meet with black and white.
The rectangle and ellipse (and the cube, circle, square) are recurring figures.
The items are caskets, dishes, vessels, columns, tiles and edged bottles, all items that have been used for millennia. But her artistic use of those shapes is her very own. In many of the pieces appear symbols, lines and ornaments, also often scars and desired swath. Yes, some of her ceramic plates are characterized by fragments that were broken or ripped out of a larger whole.
Anne Fløche manages to unite the distant past with a striking modernity.
Quite wayward, wry and poignant telling the whole story. Both the large, old world chronicle, but also about life here and now and on meetings between known and unknown, it may take one up to a higher level. As she makes beautifully evident.

Educated at The Jutland Art Academy 1973-78.

Hu Gallery - Nagoya Japan 2015
Ann Linnemann Gallery (solo) - Copenhagen DK 2009,15
Lacoste Gallery - Boston USA 2014
Oxford Ceramics Gallery - England 2014
Nicolaj Art and Design - Kolding DK 2014
Galleri Pagter - Kolding DK 2005,14
Modern Masters - Munich Germany 2013
Galleri Profilen - Aarhus DK 2013
Galleri 5 - Funen DK 2012
Gunillaberg Sculpture Park - Sweden 2012
Anita Besson - La Borne France 2012
Johs. Larsen Museum – Kerteminde DK 2011
Galerie Besson - London UK 2000,10
Vestsjælland Ceramic Museum - Roskilde DK 2001,10
Sofa Chicago/ Snyderman galleries - Philadelphia USA 2009
Denmark's Museum of Ceramic Art (solo) DK 2008
Silkeborg Bath - DK 2007
Sophienholm Exhibition DK 2007
Collect Victoria & Albert Museum - London UK 2006
Gallery Kaolin (solo) - Stockholm Sweden 2006
Gallery Hilde Holstein - Bremen Germany 2006
Danish Culture Institute - Damascus 2006
Gallery Nørby (solo) - Copenhagen DK 2003,04,06
Carlin Gallery - Paris France 2005
Joanna Bird Gallery - London UK 2005
Galleri Åhuset - Køge DK 2005
Galerie Ortilles-Fourcat - Paris France 2002
Sigtuna Museum - Sweden 2001

Danish National Art Foundation, Swedish National Art Foundation, Design Museum Denmark, Denmark's Museum of Ceramic Art - Grimmerhus, New Carlsberg, Trapholt Art Museum..
Ulster Museum of Fine Arts, Sieg Collection – Pennsylvania, Scandinavian Embassy – Berlin..

Ole Haslund's Artist Award, Denmark's National Bank Anniversary Foundation, Danish National Art Foundation, Beckett-Foundation, Højgaard's Foundation..

San Bao International Ceramic Centre, Jingdezchen China 2009 - Danish National Studios for Arts and Crafts, Gl.Dok Architecture Centre DK 2004,07 - Danish Culture Institute in Damaskus 2006..


ITS CLAY - New talents.. March-April 2015

CLICK photo = LARGE format + slide show.. Photos of exhibition and previous work..

ITS CLAY – young talents from the Royal Danish Academy of Fine Art
Exhibition 26 March – 30 April 2015
Artist talk on Saturday 18 April at 16-17.30
Material matters – matter materials..? - Young contemporary ceramic art
The gallery exhibits the Art Academy's young talents – who work in clay.
From a relatively short career, they are working with a wide range of philosophical and artistic ideas, but come of the same place, time and education. Previous work:

They are all recent graduates, recommended for this exhibition by Karen Harsbo, associate professor at the Royal Danish Academy of Fine Arts in Copenhagen.
The exhibitors have used the ceramic materials - in their ways.
Sophus Ejler Jepsen archives narratives, Christian Mastrup/Flopper works technically with object, installation and sound, Morten Modin analyses material, Ulla Bech-Bruun materializes the psyche, Sofie Hertz shows ceramics and photos of infinity and incompatibilities, Anne Mette Schultz' work title is Foot, and Sif Itona Westerberg combines casting, collage and photo.
The exhibition shows, by virtue of the Fine Arts' traditionally liberal approach to material, new angles of contemporary ceramics and highlights visual arts in relation to materials.
- Is this question interesting - or will the work speak its own cause..?
- We have to look more closely..
One thing is certain – each piece gives its own record of the time we live in.

Sophus Ejler Jepsen - www.sophusejlerjepsen.dk
- object/installation – archive of object connections - design elements
Along Dotted Lines is a series of porcelain bowls for the child's morning compleit.
Along the dotted line the child follows an Around the World Sailing in an atlas, Marco Polo's caravan to Mongolia, fox tracks in the snow, the treasure hunt for a birthday or the bending lines in the folding instructions to a newspaper hat.
MentoR attempts by his instructions and examples to guide the child, Telemachus.
The instructions begin in the morning as stories in the bottom of a plate.
Marco Polo's caravan to Mongolia, fox tracks in the snow, the treasure hunt for a birthday or the bending lines in...
Along the dotted lines MentoR has folded the forms for the breakfast's bowls and along the dotted lines indicated the locations and names that bind the stories to the World.
Along the dotted lines I will return to the simple and easy grip of the folded paper moulds for my porcelain début at The White Gold in 2003, and couple it with the brush strokes' botany of my autumn's Chamisso-tale at the Copenhagen Ceramics in the fall of 2014 and 3D printing opportunities for Hyphae and Sporer pieces on the All_Cph 2013."
”Texts on previous exhibitions: - Tanton is a romantic drama based on Adelbert von Chamisso amazing life and work; written and sketched forward in a ceramic scale of plaster, cement and porcelain glaze - Copenhagen Ceramics 2014.
- Porcelain in a box as well as a multitude of studies concerning casting of porcelain in cardboard, boxes and paper moulds, with subsequent decoration in blue under-glaze, which selects and indicates signs and traces of folding from the casting and firing processes. Poster-bag-inventory-flyer The White Gold, Royal Copenhagen 2003.”
Sophus Ejler Jepsen (b.1971) lives and works in Askov by Vejen.
EDUCATION Royal Danish Academy of Fine Arts, Copenhagen MFA 2005
SELECTED EXHIBITIONS 'Over The Moat' Sønderskov Castle, 'Not at Home' Brænderigården Viborg and Ringsted Gallery 2015 - 'Miles away & Tanton' Copenhagen Ceramics, 'Regional Concrete' Kongeåen/ Vejen Art Museum and Aarhus Art Building 2014 - 'Sculpturepress.org' John & Olivia Museum Holstebro, 'Forest Someone' Alt_Cph and 'With clay as a hostage' Vestjyllands Kunstpavillon 2013 - Frontier Lands Exhibition Aabenraa 2013,14 - 'Shadow and Mirror' Vejen Art Museum in 2011..

Christian Mastrup - alias Flopper
- Technique concept installation object sound..
"My inspiration - background and references?
- It is difficult to answer to specifically..
- Long walks in nature, technique, machinery, infrastructure, underground (understood both as
subculture and the urban space under the city), reference books and general curiosity, robots, the world's impending collapse - man's innate stupidity around the same – and sound, broadly spoken."
Christian Mastrup/Flopper (b.1974) lives/works in Copenhagen.
EDUCATION - NORDIC SOUND ART Joint Study Program, Scandinavia MA 2010-12, Art Academy BA/MFA 2006-12
SELECTED EXHIBITIONS & SOUND WORKS WET SOUNDS, SPOR Festival Aarhus, RAINFOREST IV Singuhr Sound gallery Berlin, LIVE IMPROVISATION at the Finnish radio show SILAKKA (w. E.Øyen Vister and J.Olesen) 2011 - HOUHOT Inner Mongolia, FISH IN BLOB 'An Idea of Japan' Japanese Embassy DK and HER LADES ALT HÅB UDE (site specific installation) Furesø DK 2009 - ACOUSTIC FUN FARE (sound) Roskilde, PHONE GRID INSTALLATION (dance) Cultural Market Days Copenhagen, ELLA (sound) Copenhagen Cultural Night 2008..
HALF-MACHINE annual festival/interactive art & machines (inventor/concept developer) Copenhagen 2003-08 - PHONE GRID AND SOUND INSTALLATION 7 tales of misery 2006 & Black Rose Trick (by S.Sørensen) 2005,04..
BYEN BRÆNDER (The City Burns) street art festival (inventor/concept developer/co-organizer) Copenhagen 2002 - NORMAL FREAKS performance/sound installation/poetry/music ensemble - various venues Copenhagen 1999–2008.. www.normalfreaks.dk

Ulla Bech-Bruun - www.ullabech-bruun.dk
- Installation/object/mix-media.. psychological, poetic
"A forearm prosthesis for attachment on top of a fully functional body part - does not end in a hand, but in a lion's paw ..
A prosthesis in porcelain for a 'fully' body inhibits the body's motion rather than facilitate it - Incomplete the normal rather than normalizing the incomplete. But does this incompleteness add to a mythological strength that makes it a powerful extension - an arm version 2:0..?
In this work I develop the piece's direct relation to the body, as I began investigating in my last work; a plate armour in porcelain and combining this study with animal form that has haunted my earliest pieces.
The prosthesis will take it one step further and examine what happens when you introduce a limiting extension/alteration of the body's physical form rather than/an addition to a protection.
The works are interesting because of their unheimlichkeit - they are at the same time familiar and alien, appealing and repulsive.
This may be due to the clash between their careful execution, pointing to significant time consumption and care, and their alien-and-yet familiar content. Affectionately disrepair, one might say.
I am a trained and practising psychologist and greatly concerned with the widespread - and in my eyes - wrong division between body and mind. I try in my works to embody the mind and 'mind-like' body. My inspiration includes Louise Bourgeois, David Lynch, the Frankenstein myth, Kant .. "
EDUCATION Royal Danish Academy of Fine Arts MFA 2012 - cand psych, Copenhagen University 2006.
EXHIBITIONS 'Zimmer Frei' group Koldinghus, 'FormLanguage-MindPlay' Ann Linnemann Gallery 2014 - 'Trusted Doubt' Vejen Art Museum, 'SKI N w. Mikkel S.Andersen BKS Garage Copenhagen, 'Landscape / Mind' group w. Francois Top and Timo Andersen NEXUS Aabenraa 2013 - 'Pupae' solo & collaboration w. Copenhagen Philharmonics Radio Concert Hall 2012, 'Exam 2012' Royal Danish Academy of Fine Arts Nikolaj Church Gallery - 'Konstance Luns Cabinet' solo Gallery Q 2011 - "Images Between Man 'group Rohde Contemporary GB 2010 ..

Morten Modin - www.mortenmodin.com
- Material investigation - installation/object ..
"My working title is TUBE - Tubes roughly modeled in different scales, - stands probably in a small mount.
The tubes are subsequently reworked in different ways. Some have got glass, some (probably) feathers and one chromed.. - In various kinds of clays."
Morten Modin (b.1981) lives and works in Copenhagen, DK
EDUCATION Royal Danish Academy of Fine Arts w. Professor Martin Erik Andersen MFA 2014 BFA 2011 - Helsinki Art Akademy, KUVA, FI 2007
SELECTED EXHIBITIONS 'Generator' Kunsthal Nord, Aalborg (w. Poul Bækhøj) 2015 - 'Imago Mundi' Luciano Benetton Collection, INT 2015 - British Ceramic Biennial 2014, Stoke-On-Trent, GB 2013 - 'Undercurrent' ARoS 2014 - MFA show 'Exam' Charlottenborg, Copenhagen 2014 - 'Trusted doubt' Vejen Museum, DK 2013 - commission concrete sculptures Vejen Municipality 2014 - solo 'Outcome reaches own frequency..' BKS-Garage, Copenhagen 2013 - censored 'Portrait Now' Fredensborg Palace 2011 - Spring Exhibition 2010..

Sofie Hertz - www.sofiehertz.dk
- Sculpture / object / photo - body, functional parts..
"My overall project is to understand the object as an infinity. A timely job, therapeutic, sometimes erotic. - With wellness and the body as a unit. From where everything comes, I move completely into and completely away from. The observer does the same.
"From pictures of, or details from - foot massagers, I design objects; forms, which I touch up, brush, clean up, and they become smooth and shiny, and I photograph them, so that the clay rawness and glossiness, make the light catch in the material - and I print them out on photographic paper, and the object and image unite again, into something that becomes an installation or sculpture.
- The feel of a material which penetrates through the other. Translations, layers and crafts, inside the piece, which is moving away from the physical original, and where one(another) sensuous expression emerges.
To understand an object is a temporal work, therapeutic, erotic.
Time and work, object and archeology, therapy, body and needs lie in and around the pieces, but as much appears the direct experience and tangible feeling in the outcome."
Sofie Hertz (b. 1982) lives and works in Copenhagen.
EDUCATION Royal Danish Academy of Arts, Copenhagen 2007-14, Art School Spectrum 2005, Bjørn Icnatius Øckenholts Frederiksberg Visual Art School 2004 - Holbæk Art School 2002.
EXHIBITIONS solo Danish graphic artists, 'Fossils4Desires' 2014 - group Gallery Q, 'The Open Source Way' and Charlottenborg 'Graduate Show' 2014 Art Herning/SAK, Galerie Pi 2013/14 - Photographic Centre, 'Victor A Judge' Ballerup 'Center in Art, Art in the Center' 2013 - Art Forum, Galerie Pi 2012 – Gallery Q 'Pocket Eruption 'and BKS Garage 'Keystone', commission project Center for Renhold Hauser Plads 2011 – 'Skulpturi - instead of the place' 2008 – Autumn Exhibition KE 2006..

Anne Mette Schultz
My work title is FOOT.
- The foot is roughly modelled and glazed as if the glaze is a colour palette.
I have used red clay and red earthenware glaze.
Anne Mette Schultz (b. 1983)
EDUCATION Royal Danish Academy of Fine Arts (MFA) 2008-14
EXHIBITIONS - 'We take no responsibility' Gallery Q Copenhagen and 'The musicians paint, Painters make music and Poets shut up' Overgaden, Institute of Contemporary Art in 2014 – 'Graduates 2014' Charlottenborg - 'Trusted doubt' Vejen Art Museum, 'Natural Power' Paul La Cour Museum, Askov and Art in the center/Center in art' Ballerup Centre 2013 - 'Textile Interventions' Paul La Cour Museum, Askov 2013 - IPE, BKS Garage Copenhagen 2012 - 'Skulpturi' students from the Academy of Arts and 'The Round: the questioned institution' 2011 .. Fine Artist Award Bikuben Arts Program, Copenhagen 2014/15.

Sif Itona Westerberg - www.sifitona.blogspot.dk
- Sculptural - mainly casts, collage, photography

"Modern collective identification space, in the view of planetary challenges we are experiencing today. The anthropogenic footprint on the planet has become so widespread, that today we may regard humans as an natural transforming power in itself, on an equal footing with the planet's natural processes. Through tactile and tangible negotiations, I examine and explore the new positions, relationships and understanding this cosmological paradigm shift may bring.
My contribution to the exhibition is a work of collage where I merge PlexiGlass, porcelain and manipulated photos.
Recently published by a team of American researchers the largest virtual model of the universe, more than 41,000 galaxies are plotted, forming a network of computer generated dots on the screen.
When we, human ponder about the universe, we are often concerned with space and time perception that is far beyond the scale we are mentally capable to navigate in. By using modern technologies our comprehension space is now nearer to us , but what kind of understanding do we get, as long as it is mediated through a computer and not physically experienced?
Alongside that we will be able to make the big zoom out onto the universe, we also get the lens in at ourselves and our bodies, and are now able to identify and manipulate fully inside the core of most cells we hold.
And precisely in this zoom, I have chosen to draw juxtapositions between the outer and the inner, the intangibility that characterizes the smallest and the very largest."
Sif Itona Westerberg (b. 1985) graduated from the Royal Danish Academy of Fine Arts 2014.
She lives and works in Copenhagen.
EXHIBITIONS 'Wax, Flax, and Feathers' w. David Stjernholm & Morten Stræde, 68 Square Meters 2014 - 'Seepage through saturated porous media' Westwerk (HH) 2014 – 'Graduates 2014' Charlottenborg Art Foundation 2014 - 'New Young Art' Martin Asbæk Gallery 2014 - 'Works from the Art Academy' Farum Cultural Centre 2014 - 'Trusted doubt' Vejen Art Museum 2013 - 'Remains of Eternity' solo OK Corral 2013 - 'Deputies' w. Asbjorn Skou MOHS Exhibit 2012 -' Dream Lover' group C4 2011 -' The U in us if 4 Utopia 'Fifth Floor (CPH) Torben Zenth Project Space 2011..

Grateful thanks to Denmark's National Banks Foundation for the 2015 Grant.